October 3 2002
volume 13, no. 108

E-mail       Print

The Debasement of Knighthood
The revolution evolved from the satanic beat of musicians who long ago sold their souls to the devil. The great tragedy is that society elevates them, giving credence to satan's serenade as more souls are sucked in by the viper of vice that has led to the corruption of culture, the deflowering of decency, and the defleshing of countless temples of the Holy Ghost by enthroning sins of the flesh.

    This past summer, in June Mick Jagger, the Rolling Stone who has long scandalized the world with his immoral lifestyle and scandalous stage acts, received one of the highest honors Queen Elizabeth II can bestow: the knighthood. It is hard to believe. How could “His Satanic Majesty” as he titled himself on one of his albums, receive the honor that used to be reserved for Catholic warriors known for their heroic dedication to the English Crown and irreproachable personal lives? Winston Churchill received an analogous honor for having contributed decisively, more than any other Englishman, to defeating the Nazis in World War II. His knighthood was deserved. What an abyss of difference from Churchill to Jagger…

    In the Middle Ages, the Catholic knighthood symbolized a second Baptism. The knight-aspirant used to spend the day before the ceremony in church, where he confessed his sins to a priest, heard Mass, received Communion, and then remained alone all night before the altar to prepare his soul for the solemn act of his entrance into this more noble state of chivalry.

    On the day of his dubbing, he was dressed by attendants in a white robe meant to represent the cleanliness of his body and soul. Next came the red cloak, indicating readiness to shed his blood for the Church and noble causes. His outer garment was black, representing the death he must be ready to face bravely. At the ceremony, he took a solemn vow according to the laws of chivalry: never to consent to lies or treason, to defend the Church, to succor the helpless and oppressed, to protect women, widows, and orphans, to go to Mass every day, to fast on Fridays in memory of Christ, to never retreat before the enemy, etc. (The French had 20 vows of Knighthood). He received a blow with the flat of a sword on his neck or shoulders, which signified the last insults he could receive without retaliating.

    "In the name of God, St. Michael and St. George, I make you a knight," was one of the popular formulas in England. His response: "So I shall be, with God's help."

    Despite the Revolution’s unflagging efforts to break and destroy the prestige of every aristocratic institution, something of the golden aura conferred by this institution blessed, and one could even say created, by the Catholic Church continues to linger around the ideal of knighthood. That is why this act of Queen Elizabeth II, the latest bad choice in a chain of bad choices, is all the more disturbing.

    Mick Jagger not only violates all the principles of chivalry, but blatantly mocks even the laws of basic decency. Allan Bloom singled out Jagger in The Closing of the American Mind as the sine qua non of everything that was diseased in youth culture.

Tacit approval of a culture of drugs, homosexuality, and Satanism

    In 1965, Paul McCartney and the other Beatles were honored by Queen Elizabeth with an MBE (Member of British Empire) medal. Afterward, laughing, they boasted that they had smoked marijuana in the Buckingham Palace bathroom before the ceremony. An act of frontal offense to the honor they would so shortly receive. The British people responded with shock and protest. Some former recipients of the honor even returned their medals to the Queen, saying they did not want to be in the same company with these scandalous rock stars, symbols of rebellion and drugs. The Beatles had already released their album glorifying psychedelic drugs, “Sgt. Pepper’s Lonely Hearts Club Band,” dedicated to known Satanist Aleister Crowley. One month after the album’s release, they once again shocked the world by announcing publicly that they were taking L.S.D.

    Thirty years later, in 1996, the Queen knighted Beatle Paul McCartney for his “contributions to British music and society.” No apologies had been made or were offered then for the past life and actions of McCartney and the Beatles. Thus he was implicitly presented as a model to be followed. The glory of the chivalry of old was dragged into the mud. But more was to come.

    One year later, British society received a new model to be followed: homosexuality. This took place in 1997 with the knighthood of homosexual “pop rocker” Elton John, who had once romped in a cemetery for an album cover and scandalized the world with his homosexual confessions.

    Now, in June 2002, coming on the heels of a pop concert at Buckingham Palace celebrating the Queen’s Golden Jubilee, the knighthood was bestowed on Mick Jagger, who takes credit for the origination of today's blatantly Satanic “heavy metal.” Some of his fans expected Jagger to reject the honor from the “establishment” he was supposed to revile. Instead, he accepted with pleasure, responding that it “reflects really wonderfully on all the achievements of the Rolling Stones over the last 40 years.”

    What would such “achievements” be? A list of his personal “achievements,” in a certain way, epitomizes the whole counter-culture:

• Having fathered seven children by four different women, he was also rumored to have had a “fling” with fellow rocker David Bowie.
• Jailed for drug use and vandalism, he revels in pushing the limits of human excess and degradation in onstage acts too vulgar to mention.
• The catalog of songs he has authored is famous for demeaning women and glorifying violence and Satan.

    Yes, Satan. In 1967, the Rolling Stones released their first rock album openly celebrating the Devil, titled “Their Satanic Majesties Request.” His song “Sympathy for the Devil” presented the devil as a man of wealth and taste, a role the singer embraced. The very name of his successful 1994 album “Voodoo Lounge” praises black magic and the devil. Jagger has admitted dabbling in black arts and actively encouraged others to do the same: “It’s something everybody ought to explore. There are possibilities...”

[1] The Satanic links to both the Rolling Stones and the Beatles have been well documented. Up and Down with the Rolling Stones, a book written by a personal friend of the Rolling Stones band Tony Sanchez, connects Mick Jagger and others to the practice of black magic. In The Ultimate Evil, Maury Terry describes how the openly Satanic “Process Church” recruited the Stones and the Beatles. Michael Matt’s Gods of Wasteland (Remnant Press, 2000) also clearly shows the Satanic roots of rock and demonstrates why a Catholic cannot take a “middle road” on this topic.

    Rock music and drugs, sexual promiscuity and homosexuality, the occult and Satanism. With these knighthoods, Queen Elizabeth II implicitly gives citizenship to these themes.

    Although it is a slight deviation, let me make an observation more immediate and concrete for the readers of The Remnant. It is, of course, quite easy to criticize the Queen for “caving in” to modern culture and making knights of rock stars. But, in a certain way, the stimulus for her actions comes from the acceptance of this culture among the masses. And here, even many Catholics, unfortunate to say, promote the rock music of the Beatles and Rolling Stones by playing it their homes or attending their concerts. One can object, “I don’t approve of their life styles; I just like the music.” But the music was the product of the lifestyle. Catholic parents who accept it are giving tacit approval to the cultural revolution and “hard rock” they ask their children to reject. Like the Queen, they honor the rock stars and what they represent by inviting them into their homes so that they can “appreciate” their “cultural achievements.” Doesn’t this acceptance imply a kind of “baptism” of rock culture in a Catholic home?

Debasement of an aristocratic institution

    The bestowing of knighthood on a degenerate individual like Mick Jagger exposes a tactic of the Revolution employed in both the spiritual and temporal orders. That is, when the Revolution cannot do away with a noble or aristocratic institution, it tries to debase it.

    In the case of the nobility, the title comes to mean less when it is shared with those who are not truly worthy of the honor. In fact, the word “honor” (from the Latin honor: excellence of character, high moral worth) loses its meaning when applied to persons of poor character and bad morals.

    Titles were simply forbidden in the United States after the American Revolution (although it could not quash the American fascination with the titled nobility of Europe, which exists to this day). It was not so simple in France, where, after the French Revolution, the people still had a strong attachment to the aristocratic institutions. Since the people were clamoring for nobility, Napoleon took it upon himself to make a new one.

    In his opera “Madame Sans-Gêne” (Madame Free-and-Easy), Umberto Giordani satirized this policy of Napoleon. In Giordani’s work, Napoleon names as the Duchess of Danzig an illiterate and not-so-virtuous commoner, who had been a quartermaster and laundress during the Revolution. At the end of the play, despite her vulgar language and shocking court manners, she is complimented by Napoleon, who tells her husband to “cherish her, for she is worth keeping.” In fact, the reality was not so far removed from Giordani’s comedy: Napoleon raised a good number of common soldiers to the ranks of general, duke, prince, and even king. “I made them from mud,” he boasted, speaking of his generals.

    Inflating the numbers of titles and honors, Napoleon demoralized the legitimate recipients and debased the titles themselves. The revolutionary goal of leveling institutions triumphed under him – not by the guillotine or force, but with an intelligent maneuver. It is a maneuver that continues to be employed in the social, political, and religious spheres right up until our day. This is why it is important to have an understanding of it, so that we can analyze things under its light.

Application of the Principle

    The title of knight bestowed in the Catholic Church suffers a similar debasement when unworthy candidates are chosen. Consider the knighthood granted a few years ago to the non-Catholic media mogul Rupert Murdoch. After he donated $10 million to the building of the Los Angeles Cathedral, the Pope made him a member of the Pontifical Order of St. Gregory the Great in January of 1998. This knighthood, the highest lay honor bestowed on behalf of the Pope, is given to persons of “unblemished character” who have promoted the interests of the Catholic Church and the Holy See. Even some of the media publicly admitted the irony of the act, as headlines announced “Some May Call it Blood Money,” “Arise, Sir Rupert, Papal Knight.”

    As Bob Dylan’s song foretold, “The old order is rapidly fading ... the times they are a-changing.” Thus, today, in the temporal sphere, Queen Elizabeth II bestows titles on rock stars like Paul McCartney and Mick Jagger. In the spiritual sphere, Pope John Paul II invites a rock icon like Bob Dylan himself to perform at a Eucharistic Congress, and makes an album with Britney Spears.[2] Do they realize how much actions like these serve the revolutionary cause? Who can say? But that is, by way of the facts, what they are doing. Far from fighting the “culture of death” they give their tacit approval to elements that constitute it.

For past columns by Dr. Horvat in archives, see www.DailyCatholic.org/2002tru.htm

October 3, 2002 volume 13, no. 108 TRUE ECHOES OF CATHOLICISM www.DailyCatholic.org